after the success of shifteds avn001 and the pacific blue offshoot, avian moves forward to its second release. this time from label co-owner ventress, his debut release sets the tone of future productions with 4 tracks of forward thinking, hypnotic techno. support from luke slater, silent servant, marcel fengler, sigha & shifted. hand-stamped white labels - 1st 300 copies feature limited printed insert...

hailing from perth, australia, this talented and prolific producer is no stranger to the music scene. following his first taste of an akai sampler to drop film samples on the intros of songs in his metal band, the dirty whittler, rregula eventually found himself drawn into the world of drum and bass and formed one half of bad robot in 2003, a monster collaboration with future technique and viper superstar, phetsta.

fresh from his triumphant return to detroits movement festival, where by all accounts he delivered the set of the weekend, claude young teams up with his different world co-hort takasi nakajima for their debut release on art. the original is no-nonsense but thoughtful future-tech, with plenty of analog modulations for the heads - and dance-floor thump for the party people. on the flip, the legendary ian o brien delivers a typically deep, detroit tinged remix with trademark warm bass and glistening top lines. ian planned to do one more mix-down of his remix when the huge earthquake earlier this year pretty much demolished his tokyo-based studio.

heavy austrian dub mechanics from group niob aka phlox conspirators gerhard potuznik and martin sovinz. this is their 2nd release to date, a dedicated follow up to last years >vector ep<. opening track nexus takes dubtechno one step further down the road to the lowlands. it manages to keep the atmosphere dread and melancholy but balanced with light skipping percussion and whispering snippets over a four to the floor beat, creating an uniqe kind of bass music. second tune aldo glows with warm chords over thick and dreamy rhythms, rendered in spacious minimalist dub style. side two starts with a vocal drenched acid-rework of nexus by no other than tin man. the words >doesnt matter who your are< will settle down deep in your subconsciousness and refuse to leave for some time. already an anthem and that kind of tune that should not be missed on future dancefloors. the ep ends with a fierce and forward shifting, floor shaking nexus-rework by londons bass cadetts dark arx

simoncino an ultra talented producer from italy with this warrior dance ii will feature on a side his 2 brand new tracks: one cover of marshall jefferson as jungle wonz >time marches on< & >ingas crème<. on b side, we have the very very big honor to get 2 extraordinary remixes from the legendary chez damier, that will remind us whats house music is all about ! a club mix of >ingas creme< & another atmospheric, deep as hell version. useless to say that simoncino is on top right now & is writing some future & clut club classics. just wonderful!

new release by kink and neville watson with sexual appeal made by the vocals of kim ann foxman (of hercules love affair). nice dub mix on the flip! their future-retro chicago house output made quite an impact on the scene over the past few years. with >a saturday in november< they keep their signature retro sound, but shift their tribute focus slightly on late 80 s new york and its >freestyle< days.

hot off the presses. we just got these in last nite from portland. this is our first real peak at body work, glass candys much anticipated third album. johnny & ida have been destroying clubs with both of these tracks for almost two years now. forever pushing forward into new ground from where b/e/a/t/b/o/x & 2010s feeling without touching left off, they candy coated this slice of analog glamour & sprinkled it with some stardust on top. lazer driven melodies bounce off electro primitive drums that would make moe tucker proud. idas crazy like a monkey & happy like a new year as she sings a call & response to the crowd. >warm in the winter< continues to unfold for seven plus minutes of shimmering percussive synth. the proto boogie b side >beautiful object< is so grimey it makes us think of bbbb s production on the first madonna album. the rhythms keep turning while future & past collide. johnny gives us the usual dosage of heavy bass & crisp handclaps. written & recorded in the icey montreal winter. mixed for all seasons.
entire first pressing on delicious rasperry colored vinyl !

the third release on the world unknown label is a very meaty affair that coincides with the second birthday of the club night in brixton. on side w timothy j. fairplay fuses ancient egypt with late 80s belgium and drops it slap bang into the near future with the monolithic techno beast that is >cleopatra loves the acid<. its already been played in discos and on the bbc by andrew weatherall, for whom tim handles engineering and co-production duties in his day job, and is set to become a pounding anthem on the more adventurous dancefloors over the coming months. side u is a more throbbing psychedelic affair. kalidasa is the production alter-ego of tim rivers who runs the always excellent theacidhouse.com website. it<s exactly the kind of heavyweight midtempo tune that causes sweaty pandemonium at world unknown. if the word balearic still meant now what it did to from 87-92 then thats precisely what youd call this, most likely with the prefix >heavy<. but it doesnt so you cant, or can you?

in its original form, holy ghost!s debut album cut >hold my breath< is, pure and simple, great dancefloor electronic pop, in the hands of shadowy duo tiger & woods, the song has been totally reshaped and refracted through 80s r&b radio. they have slowed the pace and inserted synth-funk hot flashes that recall prince – and, no kidding, the time, and jimmy jam & terry lewis – to create a mood that fits comfortably (and pleasurably) within their future boogie m.o. cosmic kids ron poznansky and dan terndrup have taken the track in a more tensely dramatic direction. it might be the vaguely darkened synthline upon which much of that track sits that lends itself to its more intense feel here, and gives it such a pleasant nocturnal feel. finally, theres falty dls re-envisioning, which goes down awfully smooth for a track so full of the big, thick, bumping bass beats. it’s an aural pleasure to find yourself dreamily lost in the brooklyn, new york producer/djs halls of reverberating sound.

following the much talked about and played out ones on japanese endless flight, australian future classic, german best works, british crosstownrebels, and otherworldly philomena - a string of tracks and releases of 2011 supported by Âme, dixon, damian lazarus, andre lodemann, soul clap, sasha, joakim and far too many others to mention, here comes a four track ep of interplanetary body music of mario & vidis. it’s vilnius house

it means >i hear, i see, i learn< in latin. its gonna be the second single, the one thats gonna accompany the release of the album. maybe not the easiest one but due to its peculiarity we all felt it was a natural choice. its runs at 152bpm, which is quite fast, but still delicate. its also the longest track on the album. an ideal conclusion for the album and for our future live shows.
packaging : ep 3mm edge sleeve printed on silver cardboard + download card inside

about yoav b (delsin/wasa bi) :in the last 10 years, dj yoav b has released some of the finest deep house and techno records around, some are already considered as cult classics. most of you will recognize that thick, thick bassline of his underground anthem >energize<, which was fired at you at many dancefloors around the world, or that dazzling kick drum and fm synth bass line of “organ satta” that appealed to djs from chicago to berlin.with his latest release for the most respected delsin label, entitled >love dubs<, he kept pushing the limits of dance music over the maximum, with some experimental yet funky as hell house and techno music, picked, played and charted by a large scale of djs such as martyn, marcel dettmann, charles webster, basic soul unit and more. near future projects include e.p. releases for the lables meakusma (belgium) and synchrophone (france).as a dj, yoav b. has established himself as one of israels finest underground dance music jocks. also recognized for his unique cut n paste way of mixing, you can hear in his sets nothing but deep and hot music in various styles – from deep house to techno, from disco to jackbeat, from classic to futuristic – all mixed in a furious funky, yet coherent spinning style.

now.. time for some fresh fresh fresh stuff.. on subway 018 we present akkachar, a name that isnt unknown in the music circuit. his label rwina has released some of the finest artists to date. taz buckfaster, eprom, starkey, swindle, doshy are just some of the names that went through his infamous imprint. but this time the don himself steps behind the buttons and shows that releasing music isnt all he is good at. we are proud to bring you akkachars debut, a producer you will hear alot more about in the near future.

after the highly acclaimed debut album >we cant fly<, aeroplane now presents a mixcd including exclusive tracks by promising artists & friends.
this sampler (the second of two) includes exclusive tracks by poolside, moonlight matters, oliver & martin dubka.

the new nucleosynthesis ep from the finnish duo morphology shows the future sound of electro.
a1 and a2 are two dark, atmospheric tracks with lots of analogue power. the tracks on b-side combines spacy and melodic sequences with the finest drum-programming of these days.<br >out of this world.

nice price deal !!! milano based musician and producer joseph bacchilega teams up with piero russo (formerly known as esom, from emphasis recordings) to present you pulsewave music. while empty words and soulless records seems to drive modern underground music, with pulsewave we aim to bring back the spirit which gave life to quality vinyls (from the music, to the artworks) with a mixture of passion, skills, concepts and forms. while the intention is not to have an intention (if not making good music), engraved in the hearth of the record are the words >nothing will be the same<. while the meaning is not to search a meaning, there are things that words cannot express, but the ear can hear and the intuition can feel. nothing, if not a strong emotional content. on the b1, a powerful acid version from esom will be hitting the hardest-to-please underground specialists while, on the b2, a blistering techno track (the original mix) is meant to respond to the most demanding dancefloors. on the flip, uk-based producer and dj, kirk degiorgio (a.k.a. as one/future past), delivers his intense and floor-moving version in a 7 minutes trip which already passed in many djs turntables. dont miss this limited edition, hand stamped vinyl record.

first of three parts of the first wurst compilation with 10 new exclusive tracks alltogether. part i boasts new york upstarts soho808, lisbon legend tiago, merc alum chicago damn, and new jersey outliers pink stallone. following appearances on soul claps social experiment 002 mix on no. 19 and jamie jones fabric 59 mix, soho808 land on wurst with >reach< feat. safiyah, easily their most accomplished work to date, fusing their now-patented slow house sound with a little of the citys r&b swagger. pink stallone hooks up with strictly rhythm alum joey washington on >help yourself<, a ridiculously nasty slice of future funk. tiago gives >peanuts not working< his i am the automan treatment, channeling the 80s cosmic sound for a driving dancefloor workout. rounding out the ep is chicago damns >romcom<, a smoky, subdued number, hinting at detroits beatdown sound with the mans now signature mpc moves.

after their superb release last year with >dinosaurs<, that came backed with two heavy paul woolford mixes, south german stars alex flatner & lopazz return to poker flat with three new essential cuts. >this< may sound like a curious title, yet the addictive low-slung, electronic funk within will have you chanting >i just wanna love you baby…< in no time! smooth, slinky production comes hand in hand with producers as experienced as this pair! the mysterious future-disco-funk magic of >hapbee< keeps the party stomping as a whole host of vintage gear flavours this cosmic beatdown. rolling and driving forward with relaxed, summery intent it is a seriously positive tune for those smiling, warm feeling moments. >its< offers a similarly challenging title but musically there is no messing around, with a shaking, simmering slice of modern funk characterised by tonal synth play, percussive splashes and echoed vocal madness - all dripping with funk!

its only natural that martyn has risen above the cliches and pitfalls of the vacuous dj world. over his 15 years djing, 6 years producing, and 4 years a&ring his 3024 imprint, the holland-born / washington dc-based artist has forged his own path every step of the way. his multi-leveled career has kept balance with a focus on art, and his every sacrifice is preserved in an endless dedication to music. as a continual record buyer and beat seeker, martyn is a beacon of hope through leagues of passion-less djs and producers, the ghost people: plastic, hollow shells that focus only on the in-the-now grooves or keeping in line with trends.
double 12 inch white vinyl in gatefold cover, including code for free digital download of the full album.

now it is time to congratulate everyone involved and the fans of stil vor talent with a special birthday present: two six-year anniversary eps celebrating present and future of the label. this is the second of 2 eps, featuring five of 10 individual birthday presents released on vinyl.

these words are in the deepest part of douglass greed and the approach to his debut album. he allows his heart to lead, the better to look where it goes. therein hes distributing straight dope, however, in the sense of emotional impact – dance floor dictation it is not. greed crafts music that serves up euphoria for your mind on the terrace, mas- sage table, train or car trip and so on. a timeless effect stretches along the borders... an enduring touch, and to remain in the mind for seasons to come is his concern with this album. this is more weeping or laughing in the mirror rather than admiring the physical. douglas discusses not the luxurious but rather simplicity, in order to serve a sophisticated >author-future-pop< for the club under the bedspread. his fondness for other forms of musical self-realization shimmers on all of his releases up to now. on his own album, he expresses this passion to the fullest. the inclination for sensible beauty in the dark plays as the greed signature, a central role. featuring musician friends such as mooryc (poznan /polen), pascal bideau (a frenchman in london), kemo (a ger- man-hawaiian in new york), ian simmonds (uk) and delhia (jena), greed casts twelve expressive pulse beats of pure greed cosmos.

debut 12 inch on portlands 2510 records. an upbeat, anthemic house track with a big, ballsy male vocal and some dfa-styled beats. zac eno (future legends crew) does a remix along with two seriously deep classic chicago house styled remixes from emotion 2 emotion

the a-side contains acid snow. a raw, leftfield acid house ode to new york in 2011, acid snow speaks to the young men with a future and tells them not to delay, the city is waiting. fuelled by classic 303 tweak and propulsive analog drums, acid snow plateaus in a guitar-heavy finale that conjures the spirit of the citys no wave sound – acid snow is no wave house, no house, acid rock, acid not acid, armando on no new york, sonic youth at the warehouse in chicago. out of love for the future, it lays down dynamite on the cornerstone of tradition.

lando is known for teaming up with low limit as lazer sword, a future hip-hop from group from the bay area. his solo tracks are freaked out juggernauts of electronic music, primarily experimenting with various mutations of house. dense instrumentation, analog synth and drum machine work, complex melodies, and creeping basslines are pooled from his musical obsessions with 90s rnb, classic house, freestyle, garage, detroit techno, early synthesizer music, timbaland, and… to be honest, everything in between.
>maneuver< is a sure shot banger, a futuristic synth piece with heavy garage leanings and even a hint of robin s classic >show me love<. on the flip we find >run it<, a more introvert electro fused b-boy classic from future times.

*dreaming* combines the minimal electronic soul inspired sound of her debut equilibria with the sweeping organic brazilian pop of new morning and traditional sounds of brazil. linking past and present malheiros mixes seductive styles to create a truly original sound for the future. dreaming is her finest work yet confirming malheiros as one of the finest female brazilian songwriters of her generation.

the mysterious rod enterns the balans arena with an uncompromising, abstract techno affair. little can we tell you about this mysterious character. only that a famous dj from rodterdam is behind this alter ego and that he did a very well received ep on ben klocks klockworks earlier this year.
the music coming from this persona is one hundred percent puristic, stripped down, dj tool techno. with a capital t you have seen that right! no nonsense hypnotism as we rarely see it nowadays. three or four sounds per track, each pushed and stretched inside out for maximum result. these tunes are made for dark, strobe lid cellars or underground techno temples such as berghain.
techno is back and this is about as abstract and underground as it gets. we look forward to release more rod records in the future.

brilliant new album from mad scientist-style production genius maurice fulton! chopped-up dubbed-out echo-drenched percussion and globular bouncy p-funk-meets-dubstep bass lines collide to create future boogie-not-boogie from outer space!

the >after you re gone< 12 inch features remixes from hot chips joe goddard, solo and legowelt. heavy weight virgin vinyl housed in a special edition neon wallet - this pressing has future collectible written all over it!

the moreaboutmusic label launch the secret weapon series for long lost gems and future classics, inspired by the sounds of early chicago house, sheffield bleep and detroit techno. secret weapon #1 comes from deep space orchestra with the future deep house classic >hold me back<, remixes come from disco don cosmic boogie and acid house scientists paranoid london. deep space orchestra deliver the goods with >hold me back<, a stripped down, nu-groove, mr fingers inspired, deep house jam. a simple kick and cymbal pattern builds slowly into a layered percussive house groove, with a pulsating juno bass line. organ stabs tease in and out of the track that build up to a hypnotic hook. the layered rhythms build, whilst a vocal stab teases in and out of the track, layering sounds and sonics, before dropping back onto an irresistible jacking house groove. the remixes are adding some fine flavors to this excellent debut release of mam records.

mark es >call me< finally gets released via merc this september. ever since its appearance on the mark e beats in space mix nearly a year ago it has remained a must have track and appeared in faiths top 10 tracks of 2010 without seeing the light of day. staying true to an original >house< aesthetic, call me merges a relentless bass line with soaring strings and an organ build de lacey would be proud of, combined with a spoken female vocal this is destined to be a future classic. dixon and tensnake appear for remix duties, dixon turns out a sublime re-work, tightening the feel in true innervisions fashion, whilst tensnake creates a genre defining remix that turns the track on its head and introduces 2 step garage attitude. mark e + dixon + tensnake = huge 12inch !

daniel dexter is the latest new talent to emerge as part of the poker flat crew. after some success with his strong, futuristic productions on exploited records, the berlin based producer has found a new home in steve bugs modern house magnate. the moody, storming >no house for old men< is a superb example of daniels talents. synth-heavy, dramatic and restrained, this slow burning houser lifts and climbs into spacey, ecstatic moments as its detroit influenced keys and carl craig-esque peaks bring it home. the groovy >who knows motorcity< works a simple yet addictive theme in a powerful pop-house moment, especially designed for summertime evening action. clean, bright percussion and rubbery synths flavour this delightful second course! the deeper, hypnotic tones of >the other day< have an almost soundtrack quality as subtle key changes and detailed sound design take this track into more subterranean realms. melancholic yet positive in its resolution, this is future house music in its prime!

butchs first release on villalobos imprint ... going back to the future. rawhides frequencies are out of control ... gray: tension bomb. i love you: piano house at its best. comes on proper double 12 inch - 1 track per side for maximum pressure!

!! vinyl only , last copies left!! dj/producer monty luke kicks off his new label black katalogue. first track >tomorrow< is a sub-bass driven snapshot of one of detroits possible futures. >the next< is simply a message. >yesterday & today< takes a filtered disco hook into a future direction.

after 2 years of throwing events in new york, stranjjur nycs next logical step was to move on to a more international platform. after introducing artists such as milton jackson, carlo lio, spencer parker, manik, till von sein, alex niggemann, pezzner and many others to the big apple, stranjjurs kev obrien (alongside label partner andy inelli) have decided to carry on the same a&r principals that made the events a success over to stranjjurs newest venture: a fully-fledged record label. the new brooklyn-based label has decided to hit the ground running with its debut ep coming from hot italian duo, lula circus. having also just recently been signed to one of americas hottest labels, culprit, its safe to say that the lula boys (danilo and sergio) are on the cusp of becoming stars of the underground dance scene. the vinyl edition of the miami vices ep features two amazing original tunes from lula circus, including title track, miami vice, which takes aim at the dance floor with a full arsenal of heavy bass and a powerful disco-inspired hook that instantly grabs a hold of the soul and refuses to let go. ovum and hot natured wonder-kid, manik, delivers a highly addictive remix, by slicing the main hook up, while supporting it with an insanely groovy bass line. on the b-side is pumpin groovin moovin, a future-funk jam thats carried by a focused low-end groove and catchy vocals. the remix comes courtesy of freeranges (and recent crosstown rebels signee) pezzner, and its one of his biggest remixes ever. this one has been receiving lots of early promo hype, thanks in part to maya jane coles, who included it in her bbc radio essential mix earlier this month. mayas support has helped to create a global whirlwind of anticipation amongst house music aficionados for the release of this incredible ep. the time has finally come for stranjjur imprint to be born!

torontonian quartet, azari & iii have announced their debut self-titled album on turbo recordings / loose lips records / modular. it follows the release of the single >hungry for the power<, which erupted a storm of awe on the underground music scene, and a collaborative track >stay here< with friendly fires in 2010. the record is set to become the sound of a dystopian summer with their innately brooding beat and sordid-pop edge.
azari & iiis unique blend of moody electronica, dark yet hooky vocal choruses and analog-thick rhythms has earned them a hardcore following and sees this album as one of the most-anticipated in the calendar. the four-piece, consisting of producer/musicians dinamo azari and alixander iii with vocalists fritz helder and starving yet full, have crafted a defining sound that relishes in its references while maintaining a future perspective.
from the velvety refrains of >reckless with your love< through to the creeping melancholy of >manhooker< and the unhinged technopera of >undecided<, their album possesses an individual classic-future feel, with trademark lush synthesizations, biting soulful choruss and ominous overtones.
double heavyweight 180gr vinyl in a gatefold sleeve.

get ready for a new exciting collaborative project on electric deluxe! >workshops< is a new experimental series of releases by phil kieran and jochem paap (aka speedy j). the idea behind this project is to explore the recording techniques used in the middle of the 20th century and dating right back to the mid 1950s. famous inspirational places like bbc radiophonic workshops in england and philips lab in holland have seen some of the most innovative production techniques, experimenting with the first use of stereo, modular synths, found sounds and reel to reel tapes. the end result was always something space age and promisingly futuristic and still to this day fresh sounding, crisp and exciting. phil kieran and jochem paap have decided to use this inspiration to effortlessly accomplish marrying the past, present and future in an innovative mix of old ideas with new.

a side >under< from evol intent featuring vocals from singer/song writer jackie b. this dubstep track is dark, sexy, melodic, and poppy, with a bass riff and drums that encourages you to urgently to hit the dance floor, and shake your ass. the vocals are sexy and consistent. she reminds me of esthero in how she can make underground production sound so polished. yet she can take you places emotionally because she makes intelligent choices her vocal tonality. the production is dark, and sounds like a eerie episode of a twin peaks score. you will be hearing lots more music from her really soon. she is also a great producer as well. (remember where you heard it first.) look out for more from evol intent, and jackie b in the near future.

rising up to take his place as king of the underground, dj w!ld, one of the key residents at circo loco, delivers a killer ep for adult only thats bursting with raw layers of funk and pure jacking beats and perfectly captures the infectious sound he is renowned for. title track >lost on 14th< evolves from the raw bass beat through chugging percussive grooves and the clipped funk guitar riff. enter the provocative rhetoric of kris b, with old school house organ, and the ghetto, freaky vibe is complete. jamie jones brings his hot future funk to the b-side remix of >lost on 14th< by wrapping the manipulated >nasty girl< vocal around the central moody bassline whilst lending his signature oscillating synths and upping the sex appeal. launching into a wail of sirens, its clear that >born to be black< is about to get rowdy. a true club weapon, its all-encompassing bass and kick drum and firey female voice is enough to wreak havoc on any dancefloor

duke & sill are new producers that we will sure hear more of, this offering >rue saint bernard< takes you back in time and brings you to the future, this electro tech soul is a classic in the making, smooth deep and with lots of soul. common people produced by one of our up and coming producers volta cab, the title may take you by surprise >queen of elephants< we wanted to release the original before the remixes so that we hope you would love the song as we do, deep, memorable and great keyboard melodies, the vibe is a feel good one. b/w mark & paul are no strangers to dance music the production team of mark thomas bell & paul birchall has produced for us neuvo ritmo a classic piano groove over a low key aggressive beat, a sure peek time track for those who dare. urban crews >go< was originally presented by chez damier >the gathering< some years back we have decided to add this with the unplugged project to complete this classic theme, inspiring to say the least.

we are proud to announce the double vinyl compilation aim 005. it closes the circle of the first year of aim records. featuring all previous artists and also some new, we look back to an amazing time and give a little forecast to the future releases on aim

played and supported by chris liebing, speedy j,perc, tommy four seven, markus suckut, dino sabatini, jonas kopp, dadub, slam, technasia, dasha rush, max m, electric indigo, bcr boys, audio injection and more.
the first vinyl release of the record label was born from the mind and the taste of freddy k. a person with many years of experience, which is currently behind k1971 etc.. in the past, one of the minds of elettronica romana, virus, remix shop .. and one of the producers of the old roman techno scene (see acv records etc. ..). the choice of artists is very precise: new artists who have something to say in the future of the techno scene.the first vinyl release is signed conrad van orton. already known by many producers, djs, radio and magazines that specialize in techno. he has many releases already out with its c.r.s. recordings (along with vsk) and beyond. his style is very modern and innovative.

murmurs main label returns after more than a years absence with an artist who has undergone something of a transformation of late with a future release set for the revitalised and highly revered >classic< label, marc ashken eschews the more stripped down, minimal beats of past releases to bring together a more phatter, housier sound in collaboration with fabio teti on >don do dat< and floyd lavine on flip side track >do dat<. >don do dat< is s chunky house main room house groover and will no doubt be a key feature in many a djs box over the coming months. flip for the >anonym< remix of >do dat< for a techier workout whilst the original version rounds off the package with an altogether more uplifting jaunt

bleaks 2nd release on sudden drop and another ep of streamlined sleek techno. >landscape< pulses along with a notably sense of warmth permeating through the otherwise stark groover. >fall< break up the pace nicely, incorporated more of a broken beat rhythm and a notched up level of intensity. expect big things from this artist with rumoured eps to appear on big labels in the near future..

saved regular ross evana returns to the label with the monstrous >these sounds<, a vocal infused future classic that cannot be ignored. combining an infectious groove with devastatingly catchy vocals the lead single will slip with ease into any djs box and remain there for years to come.
continuing with the quality expected of a saved release, gregor tresher makes his debut on the label, presenting his take on the lead single and adding a flavour to the original that only he knows how.

next up on the label is this brilliant two-tracker from instra:mentals jon convex. serving as a taster of his forthcoming debut solo album its a hugely impressive 12 inch with both sides demanding your attention. theres a nice old skool eerie, electro feel throughout and the tracks manage that nifty trick of sounding like something from the past and the future at the same time.

limited edition of 250 vinyl with hand screen printed sleeve and art print insert.
the first release ties together three tracks all at around 130bpm which look to the past while sounding like the future. shades of classic electro, grime and rave in the oven and it smells good.

the torontonian quartet, consisting of producer/musicians dinamo azari and alixander iii with vocalists fritz helder and starving yet full, have crafted a distinctive sound that references the best of dance musics past with a firm vision of its future. with manic , azari & iii mix slick modern production with retro vibes, and incredibly catchy vocal hooks with dark lyrics, striking a balance that has earned them critical acclaim and a cult following.
this limited turbo 12 inch includes remixes from red-hot crosstown rebels star maceo plex, the legendary house-cat dj sneak, and breakthrough spanish sensation borderline.

supported by: burns, helsinki 78-82, etc you know we love disco, right? so meet our latest signing from helsinki, bright shades. ville & roope who together are bright shades, are no strangers to dance music as they already have several years of dj experience under their belt and their debut ep is a tribute to all the disco music they love. their tracks are bursting with energy and definitely designed to the dance floor. with the current state of disco business, we know this is a breath of fresh air.bright shades already have a ton of remix work lined up for them, even before the release of their debut ep so we predict a bright (pun intended) future for them. welcome guys, we love disco and house too.

tw is back with brand new original works on his own imprint. continuing in the spirit of the series & moving further light years into the future we welcome you into traversable wormhole vol 8. comes on gorgeous smokey red vinyl - transparent dark red, black marbled.